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Poet pens pictures of pain, love
Montana poetry lassoes readerI know nothing about poetry. In fact, as a general rule, I'd rather read an environmental impact statement or a brief in a federal tax case than try to decipher the higher meaning hidden behind the words and phrases of the most gifted poets.
That's why I was amazed by a book of poetry mailed to me recently from Touch of Light Publishing, a Missoula company specializing in works peculiar to Montana.
Without much interest - more out of a sense of obligation to at least take a look - I opened Philip J. Burgess' Badlands Child, a collection of 80 biographical poems.
From the opening offering, "The Caretaker," I was hooked. It may have been that the imagery was so familiar - the long expanses of near-desert that stretch north and south along Highway 2 on Montana's northern tier, groves of Russian olives planted as windbreaks generations ago and the railroad when it was still the Great Northern.
According to biographical material sent with the book, Burgess grew up on an isolated Eastern Montana ranch along the Missouri, and, as with anyone who takes landscape seriously, it left its mark in all that came after.
Even the powerful impressions left by his tour in Vietnam and on his subsequent wanderings around the world are tainted by the dust of a Montana childhood. (...)
(...)
The poet lives in Missoula now, where he spent 13 years advocating for and counseling veterans. The poetry collection represents 20 years of work, a lifetime of watching the chips fall where they may.


Leave the band-aids home. The bleeding will be worth it.
Vanek's history of northwest Montana is a 'labor of love'.

A truly outstanding and comprehensive frontier history.
The complete story - A must for scholars of Western History

You must have this on your coffee table!Now, go buy one of these books before they're all gone. This book costs a lot to produce and was heavily subsidized, as the price indicated, with donations and fundraising.
2000 Wrangler Award winner!

A real collectible, it should be reprinted
Awesome, beautiful photos about the history of Cowboys & tie

First two volumes of a unique Big Sky Country series"Coyote Wind" is a darn near perfect specimen of a mixed-genre mystery cum western. Gabriel Du Pré is laconic, honorable, and wise to the ways of the Big Sky Country---a throwback to the noble cowboy-hero of Zane Grey's novels. He is a vulnerable hero, a Métis descendant of the French Voyageurs and Plains Indians. He has problems with his teenage daughter, who has shaved off part of her hair and dyed the rest of it a weird color. His mistress won't marry him because in the eyes of the Church, she is still married to the sleaze who deserted her many years past. He is plagued throughout the book by an alcoholic Métis prophet.
Du Pré's voice is unique, and perfect for this story. His dialogue is short, punchy, flicked with mordant barbs---an arrow in your heart when you are least expecting it. Two chapters into the book, found myself talking, thinking like Du Pré. Sounds like this:
"Du Pré knelt, looked, crossed himself. Some days he didn't believe in God, but he did believe in crossing himself.
"Maybe this let you sleep now," said Du Pré. He picked up the white skull, the color of the giant puffball mushrooms that came up in pastures in the wet years. The mushrooms were bigger, and startling in the green.
"'Now I got someone's head in my hands, I thinking on frying mushrooms,' Du Pré said aloud. 'Dumb bastard'."
The mystery of who killed whom in "Coyote Wind" is fairly easy to unravel once you get to know and care about the characters. It almost had to occur, considering the people involved. It becomes more important to see if Du Pré can help a friend stop drinking, rather than to figure out who murdered his friend's brother. As Du Pré keeps telling everyone who will listen: "I ain't a cop...I am a [brand inspector]."
Nevertheless, it is Du Pré who is tapped to solve a thirty-year-old murder. He goes about it in a style that is perfectly tuned to his character. Not a single false note from Du Pré or his fiddle.
"Coyote Wind" is a very satisfying read.
"Specimen Song" features the same cast of characters as its predecessor. However, their personalities are exaggerated to the point of disbelief. The Métis prophet performs magic tricks. Du Pré goes jaunting back and forth to Washington D.C. in his friend's private jet, after turning the brand inspection business over to his son-in-law. He also canoes through the Canadian taiga, following the river route of his Voyageur ancestors. All of this traveling is in search of a killer, but somehow Du Pré seems more blustery than heroic when he is removed from the land where he can read the turn of a leaf.
Or the body language of an enemy.
I very much hope that Du Pré returns to Big Sky Country in volume III.
Good mysteries and great characters!

First book in a great mystery seriesDu Pré's voice is unique, and perfect for this story. His dialogue is short, punchy, flicked with mordant barbs---an arrow in your eye when you are least expecting it. Two chapters into the book, found myself talking, thinking like Du Pré.
The mystery of who killed whom in "Coyote Wind" is fairly easy to unravel once you get to know and care about the characters. It almost had to occur, considering the people involved. It becomes more important to see if Du Pré can help a friend stop drinking, rather than to figure out who murdered his friend's brother. As Du Pré keeps telling everyone who will listen: "I ain't a cop...I am a [brand inspector]."
Nevertheless, it is Du Pré who is tapped to solve a thirty-year-old murder. He goes about it in a style that is perfectly tuned to his character. Not a single false note from Du Pré or his fiddle.
"Coyote Wind" is a very satisfying read.
I'm hooked

As Good as the Perfect Espresso..!Stewart Lee Allen takes you along a wonderful trip around the world. In light and easy prose, you get all the information you want on the history of coffee and coffeecentric theories gathered from real serious research. But he takes away the seriousness and the graveness and actually makes you smile all the way.
This book is as sweet as coffee itself

Digging DinosaursAt the time of writing this book Horner had spent six years digging at Egg Mountain and the surrounding area. His finds are rocking the knowledge base for nestings, babies and herd research.Whether you like to read about dinosaurs or are a dinosaur buff, reding this book gives you an appreciation for being a paleontologist. Also, you get to read about and see how they reexamine their venerable theeories.
The remarkable discoveries found in this book are interesting and they are advancing new hypotheses about dinosaur behavior and ecology... also, how did dinosaurs interact between species is new ground covered within these pages. Clever detective work while uncovering the past bodes well for future knowledge obtained.
Some of that knowledge coming from this large find of dinosaur remains is that duckbills probably moved like birds, with their heads bobbing forward and back. They did not look like the dinosaurs that have their tails dragging on the ground; the tails of most dinosaurs, not only duckbilld but also the sauropods,were held out straight behind them. The duckbills' tails were reinforced by rigid, ossified tendons that we can still see in many fossil skeletons.
Bipedal dinosaurs were built the same way, when a duckbill walked it bobbed its neck to get a fluid gait. Duckbills lived in herds and one of their major defenses against predators was their running ability, herding instinct, and a solid kick with the hind legs.
Reading this book was a delight as the narrative was engrossing and kept my interest. Horner has a easy-going style that will captivate the reader and the next thing you know you've reached the end and you what to know more about these denizens of the past. An interesting book that questions conventional interpretations, making for an enjoyable, educational read.
Dinosaur egg hunt

A glimpse into the real world of paleontology.
A great peek into the into the world of finding dinosaurs!
Reading Philip Burgess' poems is like looking at old black-and-white photographs, the sharp grays and whites sun-faded with time, and yet the clarity of the faces and images so revealing that at times you have to look away.
"Badlands Child," Burgess' collection of poems, is full of ache. Though the poems take us from rural Montana to Vietnam, across the United States, over oceans and deserts and mountains to Spain, Morocco and Normandy, and then finally back to Montana, there is a common denominator of heartbroken lives, of silent observation and numbness, of hollow loneliness. And yet, there are moments of love and appreciation so ripe that all of that pain seems justifiable, redeemed somehow, the human condition as it is meant to be.
In "Weather Report From Home," the pull between away and home is like bare skin against cold metal - it is familiar, familiar yet wholly uninvited. Sewn together with big, loopy stitches, there is guilt and sadness, regret, relief:
Curious, that when you hear the old man
loud and hollow over the party line
tell of three days rain after a long dry spell,
even though you've been thirty years gone
from that lean, dusty place
you still feel the extravagant wetness
of those first few raindrops on a sun-tender forearm.
Far from Montana, "Saigon Whore" is told from the point of view of the title character, not of the soldier. She wonders and speaks, her questions perhaps not too far from those of the soldier:
I cannot see my life before me, I cannot see love.
I come into the bar where Mick Jagger sings
of dissatisfaction and I search each soldier's heart
for stars with which to create a necklace,
a constellation of a man and woman planting rice
beneath a sky of silent blue.
Burgess' collection is enriched with a small spattering of old photographs, the majority of which are from the Burgess family archives dating back to the Civil War. Each is beautiful and stark, reinforcing the images we have read of a dance below a "guillotine moon," fence posts guarding "the border of what's left of a man's spring dreams," an old Chevrolet truck resting "in the powdery cleavage of the hills," a stag with "three legs frozen in failed leap," and the sister, in the lounge of a mental hospital, who "sways like a metronome, arms trembling across her emaciated chest." These photographs, dropped seemingly effortlessly within the text, are like poems themselves - you squint, searching for signs, for truths, for a reason why when you know there are none.
The poem "L.A. Coyote" leaves us hearing the haunting cry of this desert creature, and perhaps seeing ourselves in the reflection of his unblinking eyes:
The L.A. coyote learns to find grace in alienation,
to bless betrayal through slightly bared teeth,
and to relish the chilly decay that rides on winds
blown through the nooks and crannies of worn cadavers.
The coyote learns that all passions are temporary,
that water can be tasted only as you die of thirst,
and that true warmth is never without cold.
Burgess was raised on an isolated ranch in eastern Montana. Currently, he lives and works in Missoula.